The new Everyman features a portrait wall of people from all over the city - we caught up with one to find out how it feels to be built into the fabric of the city.
Get under the skin (and behind the curtain) of future theatre this week, as Everyword festival infests the city with thrilling workshops, interventions and readings which may, or may not inhabit our theatre stages in seasons to come. By sharing the creative process with theatre-goers, writers and actors alike, Everyword aims to demystify - democratise, [...]
As anyone who’s witnessed any of Lizzie Nunnery’s deft theatrical pieces knows, Nunnery’s a master at creating moods - of wrapping the audience up in a miasma of time, place and emotion. It was only a matter of time before her music would find a similar purchase on our soul. Her latest collection, Black Hound [...]
Next up at the Playhouse Studio is the world premiere of Singer’s A Day Of Pleasure, performed by a stalwart of Liverpool theatre.
Two of our venerable, and most exciting cultural spaces are getting the Joan Rivers treatment: and promise, when the wraps are taken off, to be fresher, fitter and sexier than ever. But it all costs…
Suffice to say we like everything. Well, nearly everything. But we picked out a few cultural highlights from 2011 to remind you of some gems.
Pull up a chair. No, why not take the whole row. Place your bids tomorrow for a slice of Everyman history, and all your world could be a stage…
Not a dry eye in the house? You bet. Tori Hywel-Davies remembersone very special day - and the end of an era for the Everyman…
With the wrecking ball waiting in the wings, the Everyman’s final production has had an incident-packed route to the stage. But can they escape the Scottish play’s cruel portents to deliver a fitting farewell?
When the city’s most passionate, creative and challenging new performers get together under the City of Radicals banner, you can expect one very memorable evening indeed…
Our first impression on who wins and who loses out from the latest round of Arts Council England funding decisions.
Is Dead Heavy Fantastic another entry into the scouseploitation genre? No, it’s something much more interesting.
A musical based on the songs of Elvis Costello. Sung by a woman. Accidents will happen? Not a chance, says Alan O’Hare…
John Hegley’s new show at the Everyman was less a performance and more of a couple of hours with your favourite teacher.
A world with John Shuttleworth in it is a friendlier world and The Man With No More Rolls is as comforting - if battered - as the famous tan leather jacket.
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