Kudos all round to the excellent team behind last weekend’s riotous Threshold Festival. The city categorically set out its manifesto for our creative, inventive and collaborative future. And being at the CUC this weekend felt like you were in the eye of the storm.
In years to come, those who attended can look back, misty eyed, and say, yeah, I was there at the very first one. It was that kind of event; the buzz was tangible. It would be unfair to single out any specific bands, performance companies or other creatives. But let’s just say there were a few SevenStreets spied who we’re very keen to bring to your attention over the coming weeks. Watch this space. And if you missed it all, like, where were you?
Photographer John Hollingsworth was there (well, there was a school of snappers prowling the labyrinthine corridors, and no doubt they’ll have captured a completely different experience - that’s how eclectic and multi-faceted the weekend was. But, for now, feast your eyes on John’s work at his flickr stream.
See you next year…
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Most new music I like is fun but I found this event excruciating. It was just a festival of soulless, talentless, pretentious pseuds. Liverpool is probably the worst place to be right now culturally
I am afraid I was not able to visit but have been very heartened to see the art work which was on show in conjunction with the music very well documented by several photographers including Terry Hayes and Bernie Howden. Looked like there were some interesting pieces there and I think there is one show which is on-going by appointment…..someone put the details please…
Contrary to the first ‘post’ I feel Threshold delivered ‘content’, fused bonds and created a grass-roots festival the like of which had never been seen in this city. I admit I have been an artist involved in the project so its easy to say my point-of-view is biased. Yet when one looks beyond the obvious platitude of my ‘connection’ I can honestly reveal that I felt a resilient sense of community and passion. Manifest within the actions of the organisers and artists was a palpable sense of focus and drive. The ‘commitment’ of such collective ‘intention’ in the face of larger economic cuts brought tears to my eyes. Forget the political speak regarding the ‘Big Society’ and the current propaganda of such comments and SEE the reality of the event last weekend. The ‘act’s’ on offer from music to theatre via visual arts and dance offered a wide, wide spectrum of thought provoking entertainment in the widest sense of the word. Each and every room yielded a new discovery, a new view of the world on a journey that lasted three days. It provided a mirror that reflected the enormous variety of talent and passion within the city of Liverpool whilst attracting ‘acts’ of international repute because of that reputation.
Yep, that was the festival we attended, too. Good stuff, Robyn.
I found the whole weekend thoroughly enjoyable and i think Liverpool does very well for itself culturally.
Well done to the organisers and roll on next year!
What’s in a name, or indeed what’s in a post?
I feel I have to respond to the first post here, which missed the whole point of this weekend.
I had nothing to do with the organisation of this event and I think there is a lot to be said in favour of putting on fewer bands and using fewer spaces, perhaps even just making this a two day event or schedule it for a Bank Holiday- all of which is exactly what happens when a group of people put on something as ambitious as this for the *first* time. As a performer, especially having been booked three of four months ago, then yes I was pretty hacked off when a sound man drafted in the day before the event started without the tech-spec for our 23 strong line-up was telling me there weren’t enough channels, not enough microphones, monitors and so on. It was a low point after so much anticipation, work, unforseen circumstances- but I left the building knowing that these things will be addressed. But with everyone giving their time up for free, there were bound to be a few mishaps along the way.
Things go wrong, but despite our experience, I know from spending the Friday night at Threshold an much of Saturday that this event was far from “excruciating” - it was a stepping stone towards establishing something that Liverpool really needs- a festival to call its own- . I didn’t see pretentious, I saw arty, I didn’t see talentless, I saw variety, I didn’t see soulless, I saw people moving from room to room soaking up the atmosphere and hopefully, like me, hoping the teething troubles can be addressed and Threshold 2012 will be the realisation of what audiences and artists had during the best bit (majority) of this weekend.
And without things like this, without culture, Arts, live music, bands trying to put on something special, theatre, cinema, dreams, hopes, aspirations- I fear there’s only the X-factor and a styrofoam wasteland waiting for us all out there.
There ‘s was nothing more musically or artistically valid at Threshold than X Factor in my book no matter how many people you have in your band to justify it
Did you see the artworks, the installation “Field Of Dreams”, the photography, any of the theatre, some of the band highlights such as We The Undersigned, Jo Bywater, Ogo, any of the bands in the mezzanine on the Friday, the retro games, the acoustic sets in the foyer cafe? If you can’t see the difference between artists and bands playing for free during the most ambitious event in Liverpool for a long time, and a load of varyingly talented singers singing cover songs on a Saturday tea-time to line the pockets of Simon Cowell et al in a popularity contest (audience vote, right?) - and there’s a place for both to exist in my view- then I don’t think we went to the same event.