Despite its breakneck pace there’s plenty to enjoy in this new adaptation of Philip Pullman’s dark, modern fairytale

An odd set-up and committed performances from Liverpool’s next generation of theatre creatives make for something refreshingly different from the YEP.

Channelling the spirit of Hammer House and Tales of the Unexpected, famed Oldboy director Chan-wook Park applies his own disorienting vision to his first English language film, the horror thriller Stoker. Prison Break actor Wentworth….

Cloud Atlas clumsily manhandles the literary head scratcher, resulting in an overlong and disappointingly disjointed film.

The West End juggernaut comes to town - and even two disappearing Phantoms couldn’t mask the quality of this new production.

When is a comedy night not a comedy night? By putting comics at the centre, Four Candles is a very different night’s entertainment from the usual raucous shows.

Can you have too much of a Moliere thing? In their third foray into 17th century comedies, Roger McGough and Gemma Bodinetz revive a comedy of manners, mischief and high society…

Often naughty, frequently nice and occasionally - when Rhydian’s on stage - terrifying. The Rocky Horror Show is still packing them in and as purely, daftly enjoyable as ever.

One of America’s greatest Presidents gets the biopic treatment in this ambiguous take on Roosevelt starring Bill Murray.

An energetic monologue paints an affectionate portrait of Brtish acting’s last great piss artist.

The John Shuttleworth show doesn’t cover any ground - but that’s kind of the point.

Following recent movies Argo and Lincoln, Zero Dark Thirty is the latest in a role call of propaganda pics to hit the big screen. Zero Dark Thirty is the military term for 30 minutes after midnight in….

A very different kind of show from Mark Thomas is a beautiful piece of work that doesn’t patronise his father’s illness, not ignore his frailties, as they connect over a love of opera.